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li Behind the angst-ridden noirs of the 40s and 50s lie the social and political tensions of the second world war and the postwar decade. Similarly, Chinatown was conceived, written, produced and released in the troubled period that included the last years of the Vietnam war, Watergate, and Nixon's fraught second term in the White House. But it retained its freshness, vitality and timelessness by being set so immaculately in an earlier period – Los Angeles in the long, hot summer of 1937 – and it deals with the scandals of that era, those touching on the complex politics of water in the arid west.
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